Last night, the Maine Savings Amphitheater in Bangor, Maine, was alive with the soulful sounds of Tyler Childers, S.G. Goodman, and the dynamic opening act, Wayne Graham. The evening was a celebration of heartfelt lyrics, impressive musicianship, and an electric atmosphere that captivated the audience from start to finish.
The night kicked off with a high-energy performance by Wayne Graham, a band hailing from southeast Kentucky and comprised of brothers Hayden and Kenny Miles. Their set was an intriguing mix of genres, blending elements of alternative rock, country twang, and psychedelic vibes. Their first song, featuring a Marshall Tucker Band-esque guitar twang, set the tone with lines like “It’s not my business what you do when I’m gone,” delivered with palpable emotion. The stage, adorned with sheeted instruments and living room lamps, added a cozy, intimate feel. The second track picked up the pace with a slight punk beat and a more rock-oriented vibe, featuring the line “If I could get to you now.” By the third song, the band’s unique sound started to shine through, even if the lyrics were a bit garbled, and the abrupt end left the crowd wanting more. The fourth track stood out with its falsetto vocals and haunting guitar, creating a groovy early rock meets alternative sound. Slowing things down, their fifth song had a psychedelic country twang, painting a vivid picture of “standing at a beach waiting on a table.” The sixth song, featuring the line “I love you like the sun is rising,” highlighted the band’s ability to blend heartfelt lyrics with a distinctive Fender-driven sound. Closing their set, the seventh song felt like a perfect mix between REM and the Allman Brothers, minus the keyboards.
Following Wayne Graham, S.G. Goodman took the stage, delivering a set that was both powerful and introspective. Her mix of garage band vibes, old country, and rock made for a compelling performance. She opened with a song featuring booming reverb and steel guitar, her strong vocals capturing the crowd’s attention immediately. The second track had a California guitar beat, catchy and laid-back, with lyrics about keeping paychecks coming and living in the moment. Goodman’s third song brought an old country vibe with squeaky steel guitar and rough vocals, a nostalgic nod to classic country music. The fourth song paid homage to Waylon Jennings, with a guitar sound reminiscent of his style and lyrics about long journeys and being a “long time gone.” The fifth track had a riverbed theme, evoking images of the Kentucky sky and summer memories. Her sixth song, “Your teeth left marks,” was introspective and dreamy, slowly building in intensity. The seventh song, “Tyler Childers cut this Space and Time,” had a Freddy Fender feel, blending crooner, punk, and country elements. Ending with “Working ’til I die,” Goodman showcased her ability to merge different genres seamlessly, leaving the audience in awe.
Tyler Childers headlined the night, delivering a set that was nothing short of mesmerizing. His blend of country, bluegrass, and heartfelt storytelling captivated the audience. Opening with “Oneida,” Childers set the tone for an unforgettable performance. He followed with crowd favorites like “Whitehouse Road” and a heartfelt cover of Kris Kristofferson’s “Help Me Make It Through the Night.” “Country Squire” and “I Swear (To God)” showcased Childers’ lyrical prowess and connection to his roots. “Creeker” and a cover of Kenny Rogers’ “Tulsa Turnaround” were highlights, bringing a nostalgic touch to the set. “Percheron Mules” and “Rustin’ in the Rain” continued to showcase Childers’ unique sound and storytelling ability. The energy peaked with “All Your’n” and “Cluck Ol Hen,” before transitioning to a tender acoustic set featuring “In Your Love,” “Lady May,” and “Shake the Frost.” The acoustic trio of “Follow You to Virgie,” a Hank Williams cover “Old Country Church,” and “Can I Take My Hounds to Heaven?” were deeply moving. Closing with high-energy tracks “Two Coats,” “Honky Tonk Flame,” and “Way of the Triune God” (featuring S.G. Goodman), the night ended on a high note with “House Fire” and “Universal Sound,” leaving the audience in high spirits.
Overall, the concert was a perfect blend of energy, emotion, and musical excellence. Wayne Graham’s eclectic set, S.G. Goodman’s powerful performance, and Tyler Childers’ mesmerizing headlining act made for a night to remember at the Maine Savings Amphitheater. Each artist brought something unique to the stage, creating a memorable experience for all in attendance.
